This Must Be the Place

I think it’s time for me to stop reading books that just help me fall asleep at night. This Must Be the Place by Maggie O’Farrell, who also wrote Hamnet, falls into that category. It’s a soothing practice I developed while I was still working, but now I’m ready to make a shift to compelling reading material—books that I can’t put down until I know how they end. 

For me, this story has been a leisurely drift down a lazy river in an inner tube. There’s nothing wrong with that actually, but I’m such a slow reader, my 21 day library rental doesn’t allow enough time for a jaunt at this pace. At 33% complete with other patrons waiting, I was unable to renew the book so I switched my Kindle to airplane mode. 

I’ve never been a fan of book chapters jumping around between the perspectives of different characters. IMHO the technique is overused, and the story always suffers when it isn’t skillfully executed. I really didn’t connect with any of the characters as they flitted from chapter to chapter taking turns sharing the spotlight. I wasn’t intrigued by the aging, reclusive actress, her arrogant, filmmaker first husband, or her precocious French-speaking children with her second husband. 

Daniel, the protagonist seemed to have a personality that shapeshifted from beginning, middle to the end of the story. Initially portrayed as a quirky but down to earth divorced father of two children, he became self-absorbed and annoying in flashbacks to his college days where he interacted with equally off-putting, newly introduced characters.

By the time I arrived at the chapter about Maeve adopting a child in China (about 65%), I no longer cared who she was or why her backstory was interrupting the flow of Daniel’s life. Oddly, I liked Daniel best in one chapter toward the end of the book that felt like a lone island adrift and completely disconnected from the vast ocean  of the rest of the story. Here he finds himself randomly on a no-frills  tour to the Salar de Uyuni salt desert in Bolivia with his oldest son Niall. The narrator of the chapter is a recently divorced, older British woman named Rosalind who hasn’t made an appearance before or after this section of the book. I found myself wanting to follow her life path as the chapter ended, not Daniel’s.

By the time I finished the book, I didn’t know if I was routing for Daniel to find happiness or just content to have his story come to a conclusion, one way or another.