The Woman in the Window by A. J. Finn is a pretty engrossing mystery story with a dreadful ending. The main character is an agoraphobic woman who becomes obsessed with her new neighbors across the street. There are some great plot twists and turns, but why must these types of books always end in a bloody heap with an action packed, over blown sequence of events that detract from the psychological aspects of the story and turn the conclusion into a trite Hollywood cliche?
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